The aim of this article is to present a variety of inspirations and reception of ancient myths that affected the shaping of the Witches in ‘The Chronicles of Narnia’ by C.S. Lewis. Lewis purposefully mingled different traditions, believing that the most important classical myths carry a faint shadow of divine truth falling on human imagination. The most famous witches created by him: The White Witch and the Lady of the Green Kirtle, have a great deal of sources in the literature, but they derive above all from ancient patterns, combining the features of, among others, Venus, Ishtar, Erinyes, Lamia and Circe. A comparative analysis of the mythological witches and those created by Lewis will demonstrate not only the complexity of their cha...
Shows how the medieval model which Lewis articulated in The Discarded Image influenced both the Spac...
Studies of C.S. Lewis’ thought have been permanently changed by Michael Ward’s Planet Narnia, which ...
Lewis and Tolkien were apologists for magic in an age where the lore of wood and stone had all but b...
The aim of this article is to present a variety of inspirations and reception of ancient myths that ...
Argues a possible derivation of the name Narnia from Old and Middle Irish sources; concludes Lewis w...
Citation: Allan, E. (2017) “A Dem Fine Woman”: Female Artists and Actresses’ Visual Representations ...
Examines the imagined medievalism of Lewis’s That Hideous Strength and the Narnia books, and shows h...
The article describes the character of Circe in the Odyssey, emphasizing that she has not only...
Companion to her study of Tolkien’s use of the Andrew Lang fairy tale collections (in #99/100) with ...
In my thesis I would like to examine the Narnia tales more closely, regarding the mythical structur...
The Chronicles of Narnia has an established position in the canon of children’s literature. However...
C.S. Lewis's "The Lion, the Witch, and the Wardrobe" is a masterpiece that incorporates biblical the...
C.S. Lewis was a pioneer in combining the ideas of fantasy and Christian literature, before the fant...
“Once there were four children whose names were Peter, Susan, Edmund and Lucy. This story is about s...
The Lion, the Witch, and the Wardrobe. C.S. Lewis, Illus. by Pauline Baynes. Reviewed by Nancy-Lou ...
Shows how the medieval model which Lewis articulated in The Discarded Image influenced both the Spac...
Studies of C.S. Lewis’ thought have been permanently changed by Michael Ward’s Planet Narnia, which ...
Lewis and Tolkien were apologists for magic in an age where the lore of wood and stone had all but b...
The aim of this article is to present a variety of inspirations and reception of ancient myths that ...
Argues a possible derivation of the name Narnia from Old and Middle Irish sources; concludes Lewis w...
Citation: Allan, E. (2017) “A Dem Fine Woman”: Female Artists and Actresses’ Visual Representations ...
Examines the imagined medievalism of Lewis’s That Hideous Strength and the Narnia books, and shows h...
The article describes the character of Circe in the Odyssey, emphasizing that she has not only...
Companion to her study of Tolkien’s use of the Andrew Lang fairy tale collections (in #99/100) with ...
In my thesis I would like to examine the Narnia tales more closely, regarding the mythical structur...
The Chronicles of Narnia has an established position in the canon of children’s literature. However...
C.S. Lewis's "The Lion, the Witch, and the Wardrobe" is a masterpiece that incorporates biblical the...
C.S. Lewis was a pioneer in combining the ideas of fantasy and Christian literature, before the fant...
“Once there were four children whose names were Peter, Susan, Edmund and Lucy. This story is about s...
The Lion, the Witch, and the Wardrobe. C.S. Lewis, Illus. by Pauline Baynes. Reviewed by Nancy-Lou ...
Shows how the medieval model which Lewis articulated in The Discarded Image influenced both the Spac...
Studies of C.S. Lewis’ thought have been permanently changed by Michael Ward’s Planet Narnia, which ...
Lewis and Tolkien were apologists for magic in an age where the lore of wood and stone had all but b...